Lord of the Rings by JRR Tolkien

Synopsis:
One Ring to rule them all,
One Ring to find them,
One Ring to bring them all
and in the darkness bind them.

Review:
This is my third time reading JRR Tolkien’s The Lord of the Rings, and I can’t say I’ve ever enjoyed it more. I’ve been following along with The Tolkien Professor’s podcasted course, and the background I got from finally reading and actually comprehending The Silmarillion really enhanced the depth of pleasure I received once diving back into Frodo’s familiar world.

Now, I’m not going to attempt to do justice to this massive work in just a short posting. Call these impressions, and I hope they inspire you to as satisfying a re-read (or first read) as I have just had.

The darkness
I hadn’t remembered such an abundance of scenes of pure horror. I think my mind sanitized Tolkien, since my last read was almost 7 years ago. But there is so much darkness in here. Tolkien doesn’t shy away from giving us evil in all its ugliness. It’s not graphic, in that it doesn’t wallow in scenes of torture or depravity. But it’s pretty darn scary, particularly in scenes such as Shelob’s lair and the Mouth of Sauron.

The goodness
Even so, I found myself far more drawn in by the courage, and bravery of the characters. Sam’s unabashed loyalty to his master, where his innate servanthood is the only means by which he has to resist the power of the Ring. Eowyn’s courage on the battlefield. Frodo’s suffering and perseverance. Aragorn’s majesty. All these qualities were so compelling, so beautiful, and so riveting that I craved more and more. I think that’s the hardest thing for a writer to do–to make goodness compelling and attractive.

The complexity
The struggle that various characters have with the Ring shows the depth and complexity of Tolkien’s moral vision. There is no black and white here–just human beings whose individuality brings a multitude of reactions to the temptations of the Ring. Tolkien deftly shows how we justify our misdeeds, call evil good, and fall prey to our own desires–even when those desires have goodness in them. The Silmarillion contains a more expansive treatment of Tolkien’s conception of evil, showing always how evil begins within and leads to its own destruction. “Love not too well the works of your hands,” indeed.

The influencesI’ve always loved the two noticeable references to Macbeth (the forest on the move, Eowyn’s defiance of a foretelling), and the podcast has helped me understand some of Tolkien’s medieval influences. But this time around, I felt keenly the influence of the biblical book of Isaiah. I have no idea whether or not I’m right in believing that Tolkien studied Isaiah in depth, but my hunch is that he did. I’m studying Isaiah right now with my moms’ group, and I see echoes of Isaiah everywhere in Tolkien, most particularly in the way both treat the temptation of power. Now, Tolkien’s theology for Middle Earth doesn’t involve a God who intercedes directly, or even really speaks to his people, but the sense of retaining hope when all else fails, “here at the end of all things” is the kind of thing that Isaiah kept reminding the beleaguered Israelites. I think Isaiah and Gandalf would’ve really liked each other.

The poetry
I read it this time–well, most of it. Again, the podcast deepened my appreciation for what Tolkien achieved in the verse he created for various characters to speak. It’s not filler or excess. It actually moves the story along and offers more facets to the interplay between characters and to the story at large. I always thought it indulgent and even somewhat embarrassing, but the poetry is a key part of the story he’s telling and well worth slowing down to absorb and ponder.

The end
I’m so sad it’s over. I always feel this way about beloved books, but perhaps most keenly with The Lord of the Rings. Has a better story ever been told? The richness of imagination, the range of emotion, the fullness of drama, and the completeness of conception–I mean, there’s nothing like it. Reading number 3 may just have cemented its position as my favorite book of all time. I get more and more out of it each time I read it, and I can’t wait until Superfast Toddler is old enough to enjoy it with me.

Feast of Souls by CS Friedman (The Magister Trilogy)

Synopsis:
In a world where the price of magic is human life, one woman dares transgress against the prevailing power structures even as an ancient enemy threatens humankind.

Review:
Man, I hate synopsizing epic fantasy. The premises always end up sounding so silly. That’s a shame, because Feast of Souls actually really intrigued me with its central idea. Basically, there can be no magic without a human life force as fuel. Women who can control the life force become witches, but every act of magic takes time off of their lives. Men, however, have discovered the secret of taking the life force of another, and become Magisters, draining the life force of unseen human consorts in order to power their immortality.

It’s said that women cannot become Magisters because they are unable to reckon the cost of their power because of an innate weakness to the gender. However, Kamala, a street kid turned prostitute, manages to cross the line and claim the title of Magister. It’s at this moment in history that an ancient evil returns (of course) and our adventure is on its way.

I wasn’t blown away by Feast of Souls, but I’m definitely keen to read Wings of Wrath when it comes out next month.

Oh, and that’s one of the worse covers ever. Seriously, you expect me to read this on the subway?

The Blade Itself by Joe Abercrombie

Synopsis:
In a world characterized by politics and intrigue, a sorceror unites a legendary rogue, a dandyish fighter, and an outlaw woman in the fight to… oh, I’m not really sure what, honestly.

Review:
Seriously, what is The Blade Itself about? I was lost from really early on. The characters were interesting, but there didn’t seem to be much of a story, just a bunch of incidents loosely threaded together. I never got the connections or what the stakes were, or what anyone’s goals were.

Now, I’ve heard such amazing things about the First Law trilogy that I’m wondering if the problem is that book 1 is just all setup. Or even worse, all backstory? Joe Abercrombie’s writing is strong enough that I will read book 2–or at least, I will begin book 2. I really hope it starts off with a summary that explains what I was unable to glean from book 1; namely, the story.

When you have as little time for reading as I do these days, it’s hard not to take something like this personally. Oof.

Dreamsongs (Volume 1) by George RR Martin

Synopsis:
The first of two anthologies featuring short stories by George RR Martin, ranging from fantasy to science fiction to horror to genre hybrids.

Review:
I am one of those readers who had never heard of George RR Martin before encountering A Game of Thrones, book one in his Song of Ice and Fire series. What I did not know is that Martin has had a prolific career as a short story writer, primarily in the genre of science fiction. Dreamsongs Volume 1 includes some of Martin’s most famous stories, as well as some highlights from his early career. The anthology is broken into segments, each with an introduction by Martin describing the publication history for each story as well as offering insight into his creative state of mind while writing. Naturally, his essays touch upon matters of genre and the craft of storytelling, and would be worth reading on their own.

Dreamsongs opens with four stories written when Martin was a very young man, and I found them interesting as artifacts. As stories themselves, the pieces didn’t hit their stride until “With Morning Comes Mistfall,” a tale about a world covered in an all-obscuring mist rumored to hide strange monsters. A scientist is out to disprove the existence of sentient life forms on the planet, and in doing so threatens to destroy the foundation for dreams and poetry.

The rest of the stories certainly show off Martin’s imagination and storytelling skills. “A Song for Lya” explores the intersection of psychic abilities and religious faith. “And Seven Times Never Kill Man” is a horrific look at the underpinnings of genocide. “The Way of Cross and Dragon” explores the development of a heretical branch of Christianity, one that reveres Judas Iscariot as a saint and posits him as a dragon rider who brought a dismembered Christ back from the dead.

I was most taken by two stories in the section in which Martin discusses his transition from science fiction to epic fantasy. “The Ice Dragon” takes a familiar type of story–that of the dragon rider–and adds a twist. The dragon in this story is made of ice, scaled in rime, and breathes a searing arctic chill. “In the Lost Lands” starts out seemingly as a mystical love story, but takes a dark turn towards an ironically tragic ending.

The last section in the book covers what Martin calls his horror hybrids. The first story, “Meathouse Man” was a bit too relentlessly grim for me, and “Remembering Melody” had a gimmick I spotted a mile away (knowing that Martin wrote for “The Twilight Zone” puts me on the lookout).

“Sandkings” deserves its acclaim as one of Martin’s best pieces. It’s a sci-fi/horror reimagining of The Picture of Dorian Gray, and concerns a man who purchases a sort of ant farm, with the promise that the sandkings will go to war for his entertainment. When they don’t start fighting fast enough, he starves them, and go to war they do–with horrifying repercussions.

The next story, “Nightflyers,” is just as compelling, though not quite as scary. It’s got a little bit of 2001 in it, and reminded me of the movie Event Horizon, which was billed as Hellraiser in space. “Nightflyers” has the same feel, but is a much better story.

A fantastic collection–can’t wait for volume 2!

Emperor and Clown by Dave Duncan

Synopsis:
Now married to the cursed Sultan Azak, Princess Inos finally heads to the capital city to plead her case in front of the wardens, as stable boy Rap rushes to meet her and embrace his destiny.

Review:
(Is that like the worst cover you have ever seen? Seriously.) Emperor and Clown is the final installment in Dave Duncan’s A Man of His Word series, and a most satisfying conclusion indeed. The overall story is a rich, satisfying adventure full of political machinations and romance, with a thoroughly original world and three-dimensional characters. In short, I would recommend this series to any readers who enjoy George RR Martin or Robin Hobb. I’ve mooched the follow up series, but will be taking a palate-cleansing break from epic fantasy. Continue reading

The Limbreth Gate by Megan Lindholm

Synopsis:
A gypsy woman is drawn into a shadow world to fulfill the destiny created for her when she was briefly kidnapped as a child.

Review:
The Limbreth Gate is the third installment in Megan Lindholm’s Ki and Vandien Quartet, and is perhaps the most conventional of her books. The plotline is a familiar one–a shadow world opens up, sucking the main characters in–and while Lindholm doesn’t exactly take it to new heights, she does deliver a solid, well-written, suspenseful fantasy tale. Continue reading

The Windsingers by Megan Lindholm

Synopsis:
The second in the adventures of gypsy teamster Ki, hired by a wizard to reunite his head with the rest of his body, which have been seized by the menacing Windsingers. Meanwhile, Vandien has contracted himself to a fool’s errand retrieving a treasure of the Windsingers, trapped in a sunken temple.

Review:
As I mentioned in my post on Harpy’s Flight, it doesn’t seem like Lindholm will be developing an overall mythology, though she is using some recurring characters, and might be continuing some of the Windsinger conflict in the next book, Limbreth Gate. Continue reading

A Wizard of Earthsea by Ursula K. Le Guin

Synopsis:
A young mage-in-training with unprecedented powers performs a forbidden spell and looses a shadow from another realm that intends to destroy him.

Review:
The writing in A Wizard of Earthsea is beautiful, and the world is wholly original. However, this books gets a little too fantasy-ey for me. It’s got a lot of Magic, and not that that much adventure. It’s much more about the ideas than it is about character development–which is fine. It’s just not what I prefer. Continue reading