The Meaning of Night by Michael Cox

Synopsis:
Robbed of his fortune by a rival from his school days, Edward Glyver seeks vengeance and restoration under an assumed name.

Review:
The Meaning of Night is a cunningly plotted piece of faux-Victoriana, conjuring up Charles Dickens and Wilkie Collins with a soupcon of sex that doesn’t feel anachronistic at all.

Edward Glyver’s nesting-doll tale gives every character a chance to tell his or her own life story, and Cox makes each one fascinating in its own right. Despite the near-constant digressions, Cox never lets us forget that Edward is on a deadly mission, and keeps up the suspense throughout. The story opens with Edward’s murder of an innocent man but it’s not long before I came into full sympathy with his plight, despite my disdain for his wicked act.

Cox captures the Victorian tone perfectly, and I took a lot of pleasure in all the traces I found of books I love. It could be that The Meaning of Night is a little too insider-y to be enjoyed without a background in its influences, but the story is airtight and quite satisfying.

The Long Walk by Stephen King (Richard Bachman)

Synopsis:
100 young men begin a walk that will not end until there is only one survivor, who will win everything he wants for the rest of his life.

Review:
I’ve read The Long Walk a bunch of times. It’s one of the best of the books Stephen King wrote under the name of Richard Bachman, a short, tight novella that contains a universe of human drama. The other one worth reading is, of course The Running Man, made into that great rainy Saturday movie with Arnold Schwarzeneggar. Continue reading

East of Eden by John Steinbeck

Synopsis:
The epic tale of Adam Trask, cuckolded husband to a whore and father of twin boys, one dark, one light.

Review:
I’m rather embarrassed to confess East of Eden is the first Steinbeck I have ever read. Big deal, you say–except I majored in American Studies in college with a focus on how literature and popular culture reveal sociological truths about the American people. I was obsessed with writers like Sinclair Lewis and Theodore Dreiser. I was enamored of post-Industrial Revolution American life. It makes no sense at all–none, I tell you!–that I never once considered reading a book by John Steinbeck. I probably would’ve lost my mind with delirious delight. I bet I would’ve gone to grad school for American Studies instead of Cinema Studies. Steinbeck totally could’ve wooed me away from Hitchcock. Lewis and Dreiser just weren’t potent enough.

I am a born ‘n’ bred East Coast girl. I’ve been to LA a few times, but in my mind California has always been someplace you go to, not someplace you come from. The idea that California has people and history and a story has never quite seemed real to me. Of course, I have lots of friends who moved to New York from California (and one or two who boomeranged back). And I find it amazing that their roots are so far West, that they feel the heimlisch tug of tradition to a place that makes me think only of reinvention, and starting over.

East of Eden is steeped in California, the California I suspect my friends know a little something about. I lost myself in Steinbeck’s descriptions of a rough-hewn land rising into respectability, and in specificities of the characters he created. These people aren’t Chicago charlatans or Midwestern Boosters. They’re California people telling a California story–which, incidentally, is the only way to tell the American story, don’t you think?

Notice I haven’t attempted an actual review. Just doesn’t seem appropriate, somehow, to try to distill an epic work into a set of glib observations or, even worse, facile judgment. That’s not why reading the classics is important to me as an adult (who will never go back to school). Whenever I finish a book like this I feel a sense of relief, as if to say, “Finally, now I have this book and I can read about it at last.” The door has been opened. Steinbeck is less of a mystery. How lucky am I!

Unhooked by Laura Sessions Stepp

Synopsis:
A dissection of hook-up culture on college campuses and in high schools, including anecdotal accounts.

Review:
More hand-wringing than Last Night in Paradise, less high-minded than Unprotected, Unhooked is more likely than either to provoke fear and consternation in the hearts of parents of teenagers across America–particularly if they’ve read I Am Charlotte Simmons and their daughter is looking at Duke University. Continue reading

Tin Angel by Shannon Cowan

Synopsis:
Accused of murdering her family’s benefactor, a teenage girl caught in the legal system explains what led to her arrest and indictment.

Review:
Author Shannon Cowan has done a remarkable job researching the Canadian legal system viz. young adults around the time that Tin Angel takes place (late 1960s). However, the emotional component of the story never quite came together for me. Continue reading

Harry Potter and the Deathly Hallows by JK Rowling

Synopsis:
Harry Potter braces for his final battle with evil Lord Voldemort, knowing that only one of them will survive.

Review:
My biggest criticism of Harry Potter has always been his passivity. In the first few books especially, he spends most of his time being rescued or protected, simply because he’s “The Boy Who Lived.” And for awhile, it seemed as though JK Rowling wasn’t paying attention–was creating a hero who didn’t deserve to bear that name. Continue reading

Emotional Reads

I like to be moved by literature, which is why I don’t go crazy for metafiction or postmodernism or overly intellectual fiction (Don DeLillo, Thomas Pyncheon, etc.). Such was the book I read yesterday for work.

Otter asks,

What are the five books in your library (or memory) that stirred the greatest emotive reaction in you?

What I mean is, what five (or more) books most brought you close to tears, laughter, anger, whatever?

Continue reading

The House of Stairs by Barbara Vine

Synopsis:
A woman haunted by the uncertain onset of a genetic disease sees a woman from her past, and struggles to fill in the gaps between truth and lies from a time in her life marked by violence and murder.

Review:
House of Stairs is yet another knockout from Barbara Vine, the British crime writer who pens the Inspector Wexford mysteries as Ruth Rendell. The tease here is that Vine isn’t going to reveal the identity of the murder victim until the final pages, and she pulls it off completely. The reveal is a tremendous shock, and Vine earns every ounce of it. Continue reading